The effects
Every pedal, everywhere.
Each effect runs in OA FX Rack, inside every synth, and as a plugin of its own. Own it once and it is unlocked in all of them.
Drive3
A germanium fuzz in the style of a classic two-transistor pedal: thick, ragged and woolly, and it cleans up as the guitar's volume is rolled back.
A tiny amp turned all the way up: huge, dark and raw, almost a fuzz, squeezing and blooming as you dig in and cleaning up a little as you play softer.
A warm saturator, its level matched as you turn it up: Saturate from gentle warmth to thick and compressed, Tone for where the harmonics come from, and Output to sit it in the chain.Dynamics2
A subtle, coloured squeeze compressor that keeps the pick attack: Volume and Comp, Blend for the dry attack, a tilt EQ, and a Dirt switch with a knob for its grit.
A transparent bass compressor that works quietly underneath, evening the notes without changing the tone: Threshold, Slope, Attack and Level.EQ, Tone and Enhancers2
Modulation3
A wide, still studio chorus: four buttons, 1 the subtlest and 4 the strongest, any of them together for the shades between, with Width, Mix and Tone.
A tremolo that swings the volume in time: a harmonic one in the style of early-'60s amps, its lows and highs swirling in opposite phase, or a bias, optical or pan tremolo, free or locked to the song's tempo.
A phaser and a flanger in one tub on one wandering LFO: round bubbles and rushing jets, in series or side by side, with the lows kept dry and Surge to open it all up.Delay and Echo1
Reverb1
Utility and Meters3
A stereo utility that adds no colour: it sets the level and balance, widens or narrows the image, works on the mid and side, keeps the bass centred and flips polarity.
A one-knob trimmer: it sets the level and nothing else, so a chain can be staged between two units.
A pair of VU meters that show how loud something sounds, the needles rising and falling at a VU's own pace. The sound passes through untouched.


